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E7 English Literature Students level seven Forum |
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أدوات الموضوع |
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#361 |
أكـاديـمـي ألـمـاسـي
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
Good morning
Deconstruction is a U.S.-based method of literary and cultural analysis influenced by the work of Jacques Derrida J. Hillis Miller Geoffrey Hartman Paul De Man Barbara Johnson |
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#362 |
أكـاديـمـي ألـمـاسـي
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
Post-structuralism is a European-based theoretical movement that departs from structuralist methods of analysis. The most important names are
Jacques Lacan (psychoanalysis Michel Foucault (history Jacques Derrida (philosophy |
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#363 |
أكـاديـمـي ألـمـاسـي
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
^
^ All these from lecture thirteen |
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#364 |
أكـاديـمـي ألـمـاسـي
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
Lecture fourteen
KARL MARK He is Born 1818 In Rhineland تاريخ ميلاده مميز ![]() |
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#365 |
أكـاديـمـي ألـمـاسـي
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
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#366 |
أكـاديـمـي فـعّـال
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
L-8
“Narrative Order” is the relation between the sequencing of events in the story and their arrangement in the narrative. العلاقة بين تسلسل الأحداث في القصة وترتيبها في السرد |
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#367 |
أكـاديـمـي مـشـارك
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
حبيت ازيد على الاقتباسات اللي حطيتها لاتحزني ..
هذي : “Captive Greece took its wild conqueror captive” هوراس ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “No past life has been lived to lend us glory, and that which has existed before us is not ours.” سينيكا ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “[A] man who follows another not only finds nothing; he is not even looking.” سينيكا ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “Neither “art” nor “artist”, as we use the words, is translatable into archaic or high-classical Greek.” ايريكهافلوك ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “Did you never observe," he asks, "how imitation, beginning in early youth and continuing far into life, at length grows into habits and becomes a second nature, affecting body, voice and mind?” افلاطون ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ Poetry cripples the mind. It weakens the critical faculty and breeds conformity. افلاطون ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “the greatest thing by far is to have a command of metaphor; . . . it is the mark of genius, for to make good metaphors implies an eye for resemblances.” ارسطو ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “I will not die entirely, some principal part of me yet evading the great Goddess of Burials.” هوراس ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “It is the sign of a lazy mentality to be content with what has been discovered by others” “it is also shameful to be content merely to reach the level of your model” كوينتيليان ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “Let no one scorn this Tuscan language as plain and meagre, if its riches and ornaments are justly appraised, this language will be judged not poor, not rough, but copious and highly polished.” بوليزيانو ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ــــــــــــــــــــــــــــــــــــــــــــــــــ ـــــ “What sort of nation are we, to speak perpetually with the mouth of another?” جاكبيليتير زياده اقتباسين من المحاضره 13 : “language is not an instrument or tool in man’s hands […]. Language rather thinks man and his ‘world’” (J. Hillis Miller, “The Critic as Host”) “there is nothing outside of the text” (Jacques Derrida, Of Grammatology) |
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#368 |
أكـاديـمـي فـعّـال
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
Mimesis: maximum of information and a minimum of the informer.
Diegesis: a minimum of information and a maximum presence of the informer Narrative of Words: The only form of mimesis that is possible (Three types): ü Narrated speech: is the most distant and reduced (“I informed my mother of my decision to marry Albertine” [exact uttered speech]. ü Transposed speech:in indirect style (“I told my mother that I absolutely had to marry Albertine” [mixture of uttered and narrated speech]. ü Reproduced speech: The most mimetic form is where the narrator pretends that the character is speaking and not the narrator: “I said to my mother: it is absolutely necessary that I marry Albertine |
التعديل الأخير تم بواسطة s.english ; 2012- 12- 29 الساعة 12:08 PM |
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#369 |
أكـاديـمـي ذهـبـي
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
اقتباسات سوسن في المرفقات
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#370 |
أكـاديـمـي مـشـارك
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رد: Here :: مُنآقشَة وتَرجمة وشَرح Literary Criticism ::
Foucault identifies and describes ............... characteristics of the "author function”
three four five six ججآوبو ![]() |
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مواقع النشر (المفضلة) |
الذين يشاهدون محتوى الموضوع الآن : 1 ( الأعضاء 0 والزوار 1) | |
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الموضوع | كاتب الموضوع | المنتدى | مشاركات | آخر مشاركة |
literary criticism lecture 9 general ideas | flying without wings | E7 | 3 | 2012- 12- 3 03:35 PM |