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| منتدى كلية الآداب بالدمام منتدى كلية الآداب بالدمام ; مساحة للتعاون و تبادل الخبرات بين طالبات كلية الآداب بالدمام و نقل آخر الأخبار و المستجدات . |
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أدوات الموضوع |
2011- 1- 9
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#11 | |
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أكـاديـمـي فـضـي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
أضف إلى هذآ أنه يبي المقآل لآ يقل عن 300 كلمه .. |
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2011- 1- 9
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#12 | |
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أكـاديـمـي فـضـي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
Definition of a Shakespearean Tragedy Othello, the Moor of Venice is a tragedy by William Shakespeare, , and based on the Italian short story "Un Capitano Moro" ("A Moorish Captain") by Cinthio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his wife Desdemona; his lieutenant, Cassio; and his trusted Iago. Its varied and current themes of racism, love, jealousy, and betrayal.A Shakespearean tragedy is the polar opposite of a comedy; it "...exemplifies the sense that human beings are inevitably doomed through their own failures or errors, or even the ironic action of their virtues, or through the nature of fate, destiny, or the human conditionto suffer, fail, and die...." In other words, it is a drama with an unhappy ending. Shakespeare Tragedy according to Othello : 1. When we read 'Othello' , we are deeply touched with the feeling of pity and fear for Othello, the tragic hero of the play. We know that Othelo loved his wife Desdemona more than his life. He loved her to the level of madness. Therefore , he could not even think of sharing his love with anyone else. When Iago falsely told him that his wife was having a secret love affair with Casio, he could not bear it. He murdered her in a moment of extreme excitement. But when he knew the truth, he came back to his sense and willingly embrace death . He paid back his love with his life. So, we really and deeply feel pity for him. We also shake with fear thinking that we might be in his position and the tragedy might come down in our own life. We like to identify ourselves with Othello.In this way the purgation of pity and fear is completed within us. According to Aristotle this is called 'cathersis' and it is the main requirement of a tragedy. So we can say that 'Othello' is a great tragedy. وبإنتظآرك تكتبين الكوتيشن .. تسسلمين مقدمآ .. ولكِ دعوآتي .. |
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2011- 1- 9
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#13 |
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أكـاديـمـي فـضـي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
Shakespeare Compare Between Iago and Othello ? The tragedy "Othello" by William Shakespeare is a story based upon the revenge of two characters, Othello and Iago. These two characters help to prove Murphey's Law which states that if something wrong can happen it will: for Othello it is the wrongful killing of his wife and friend, for Iago it is getting caught for his actions and finally being tortured. Many historians, actors, and readers would like to argue that Othello and Iago are very complex but at a closer look you will notice that their actions are purely based upon revenge for their iniquities. "I follow him to serve my turn upon him," said Iago (9:45). From the beginning of the story Iago has a cruel intent bent on destroying Othello merely because the job that he sought after was given to young Cassio. Exactly why his hatred burns so bright is unclear because it was not uncommon to lose a position to another soldier. With or without reasonable justification for revenge, Iago immediately starts to tear Othello apart by informing Brabantio (Desdemon's father, Othello;s wife) that she is out with a black ram and committing unjust acts. As time progresses Iago becomes more wrapped up in his lies that he even begins to believe that Othello has slept with his own wife, Emelia, and now he has even more reason to hate "the Moor", "I hate the Moor and it is thought abroad that `twixt my sheets `has done my office"( 55:429-431). Iago is so obsessed with his revenge on Othello that he does not care what happens to anyone else so long as he is happy. In the process of hurting Othello he manages to have Roderigo killed, Cassio severely injured, his own wife Emelia is slain by his own hands, Desdemona dies at the hands of her husband Othello, and after everything Othello kills himself. Sadly Iago accomplishes his revenge but with so many casualties and then he himself is tortured and killed for his part in the great conspiracy, but before he is punished he has to see that Cassio will be the one to take Othello's place (a strange irony since it was Cassio that Iago was jealous of). In all situations we see Othello standing tall as a "War General." It is his job position that allows him to be deceived and tricked by Iago. Othello won Desdemona's heart by his exotic stories of traveling and war but with the war at Cyprus ended he no longer had anything (in his opinion) to be proud of and prove he was a true man. "whilst you were here, overwhelmed with your grief- A passion most unsuiting such a man" (177:91-92) Iago implies that Othello is becoming soft and no longer being as a soldier should be. Desperate to cling to his former identity as a soldier while his current identity as a lover crumbles, Othello begins to confuse the one with the other. His expression of his jealousy quickly devolves from the conventional "farewell the tranquil mind" to the absurd. "Farewell the plumed troops and the big wars that make ambition virtue! O, farewell, farewell the neighing steed and the shrill trump, the spirit-stirring drum, th'ear piercing fife, the royal banner, and all quality, pride, pomp, and circumstances of glorious war!" (143:400-406) says Othello in despair. His life comes to a crashing halt at the thought of Cassio having sex with Desdemona, but Othello still desires to hold true to his nature never questions either of the suspected parties because in the army you move forward in full charge, asking questions only after the battle has been won. Everything that Othello does resembles that of a general. He orders his wife around, and never stands to be questioned. When he receives his ocular proof that is like raising the Guillotine, he asks Iago to kill Cassio for honor. While his wife sleeps he stands above her and not wanting to damage her precious winter white skin he begins to strangle her. Even in the process of killing Desdemona he shows the signs of a good general for he believes that it is for the best of all man kind that he will kill her and end her evil ways. The cause for five deaths all lies in the twisted hearts of jealous men seeking revenge for being wronged. Othello and Iago both were suppose to be of a christian society but the lives they lived were not that of Christ. Complex are these two characters? No, they simply are weak creatures controlled by the evil powers of the world, money, jealousy, pride, and one that is both good and bad: LOVE. If only they would have been able to see themselves from others eyes maybe than they could have controlled their rage and revenge. < صآيره هبوله تسأل السؤال وبعدها تجآوب :$ |
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2011- 1- 9
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#14 |
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أكـاديـمـي فـضـي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
The Character of Iago in Othello
In the Shakespeare play of Othello, Iago plays an important role. Iago is a compelling sophisticated villain, who revels in his own ability to dissemble. Shakespeare's Iago is one of Shakespeare's most complex villains. At first glance Iago is pure evil. Perhaps the most interesting character in the tragic play Othello is `honest Iago' during the play Iago uses carefully thought out words and actions which enable him to manipulate others and do things in a way which benefits him and allows him to move closer to his goals. He is a villain who is adept to quick-witted improvisation. Iago's pride is laced with sly vindictiveness; also he is egotistical and independent, convincingly able to adapt his tone and style to any situation. All of these personality traits are unveiled to the audience at certain moment of his choosing. In this essay we shall investigate the character of `honest' Iago. Act one of Othello, is all based around one evening's events in Venice. It is a very fast paced act, where many things happen in a short time span. The opening of the act is an argument with Iago and Roderigo, in which you first see the seeds of Iagos character immerging. In the opening scene, Iago displays many of the characteristics that are to epitomise his pivotal role in the progress of the tragedy. Perhaps his most revealing declaration at this early point is his proud boast `I am not what I am'. Though Roderigo is evidently meant to take this as reassurance that Iago only feigns allegiance to Othello for his own ends, the deeper implications of Iago's words are soon to become apparent to the audience, for Iago is a self-serving malcontent who practises deceit whenever it is expedient. Iago becomes very jealous of Othello because of his position in the Venetian Army. Iago feels that black men cannot rise above him because they are black. Iago frequently refers to Othello as the `Moor' and the `Black Ram', with these statements Iago is implying that Othello is worse than white people and because of his race he should not hold the position he does in the army. Out of this racism also extents the jealousy of Othello´ wife, Desdemona. With this in mind Iago feels that Othello has slept with his wife Emila, `leapt into his seat', he wants revenge for this too, `not out of absolute lust', but so he can get back at Othello. The act starts with Iago and Roderigo, having an argument over Desdimona. Iago is telling Roderigo that Desdemona has gotten married to Othello. During act one scene one Iago uses a lot on animal imagery, to convey his anger and dislike of Othello such as `an old black ram Is tupping your white ewe' (Act 1 Scene 1 Lines 89-90), and `Barbary horse' (Act 1 Scene 1 Line 112). Also in the first quote Iago uses the comparison between black and white that, has always been seen as a comparison and the difference between good and evil. During scene one Iago persuades Roderigo to go and tell Brabantio, Desdemona's father that she has eloped with Othello, `call up her father, Rouse him, make after him, poison his delight' (Act 1 Scene 1 Lines 68-69). In this quote Iago refers to poison, Iago during the course of the play poisons peoples minds. As Roderigo cannot rouse Brabantio, Iago takes over and leaves before Brabantio comes down. Iago has reasons for hating Cassio, the main reason would be that Othello has given him a job that Iago, thinks he deserves `I know my price, I am worth no worse place' (Act 1 Scene 1 Line11). Iago presents himself as the experienced, reliable soldier who has been passed over for promotion. The job has been given to a man who has acquired `bookish theory' (Act 1 Scene 1 Line 24) but lacks the experience. Iago's unflattering description of Michael Cassio creates scepticism about his character as well as the man that appointed him. Iago reveals his misogyny when describing Cassio as `A fellow almost damned in fair wife' (Act 1 Scene 1 Line 21), for, as far as Iago is concerned, beautiful women invariably betray their husbands. Towards the close of the action, Brabantio's servants enter with torches. It is perhaps ironic that a scene, which features so much deceit, should begin in darkness yet end in light, for Brabantio's assessment of Desdemona's absence (based as it is on the misleading language of Iago and Roderigo) proves to be mistaken. In the context of a play where black and white do not necessarily denote good and evil, however, this seems entirely appropriate. During scenes two and three Shakespeare has held back from introducing the title character of Othello directly. He has mainly been called `the moor' or `his moorship' and does not appear until nearly 200 lines have passed. This has given Iago time to create an image of Othello. The scene's opening exchange means that before we have met either character, both Othello and Cassio have been pre-judged by the report Iago gives of them. This is one of a number of ways in which Shakespeare cleverly introduces the idea of reputation, and the theme of judgement. When Othello is introduced he is seen to be an intelligent commander speaking in poetic prose, thus enforcing Iago's pure hatred for him. Iago is also revealed as manipulative, amoral and cruel in the extreme, relishing the suffering that he and Roderigo inflict on Brabantio. During the scene Iago's concern has been to demonstrate his loyalty through an account of how he was almost provoked into fighting on Othello's behalf, enforcing the view of an `honest Iago'. Iago believes that Roderigo is bringing Brabantio to confront Othello. Having set up the scene, he expects to be able to demonstrate the reliability of his advice. He did not expect the entrance of Cassio, who know of Othello and Desdimona `from first to last' (Act 1 Scene 3 Line 95), Iago at this point is not in control. Iago's expressed opinion of Othello can no longer stand, for by his words and actions Othello has shown great judgement under pressure. Act one ends as it began with a conversation between Iago and Roderigo. Iago again is in control of this conversation as Roderigo is a follower not a leader while Iago is a silent cunning leader, whom takes control from the back door not the front. When Roderigo discovers that Iago has been hoarding his money he screams at Iago and threatens him. However, when Iago tells him some fanciful plot in order to capture Desdemona's heart Roderigo forgets Iago's theft and agrees to kill Cassio. When talking to Roderigo he is talking in blank verse but while talking in his soliloquy he talks in prose and rhyming couplets. His disappointment in failing to get the promotion he sought after is not mentioned here. Iago is a character that thrives on the flaws in people's characters in Othello, especially Roderigo's. Iago's soliloquy at the end of act one is a bitter speech of hatred and revenge to be taken out on Othello. It is full of animal imagery such as `as asses are' (Act 1 Scene 3 Line 396). The Iago soliloquy he states that `I hate the moor' (Act 1 Scene 3 Line 360-361). Iago also mentions `Hell and night' (Act 1 Scene 3 Line 397), which are both dark images of evil, that Iago represents so well. `Must bring this monstrous birth to the world's light' (Act 1 Scene 3 Line 398), is the start of the idea for the downfall of Othello and Cassio. The opening act of Othello is Iago's act where you learn about the character of Iago, who is not just one character but also many who are all vital to the plot of the play. The opening scene provides an entirely appropriate beginning to Othello, offering as it does an intriguing first encounter with Iago, and an early exploration of the themes of deception, prejudice and judgement, which have a prominent place in the rest of the play. Iago is shown to be `honest', but to each individual character he is honest and truthful to them, but not to everyone. |
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2011- 1- 9
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#15 |
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أكـاديـمـي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
الله يعطيكم العافيه و ان شاء الله تفرحون بال A+
د. نجلاء قالت ان فيه سؤال عن ال باك قراوند renaissance restoration واحد منهم بيجي يعني اما باك قراوند سدني او باك قراوند درايدن |
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2011- 1- 9
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#16 |
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أكـاديـمـي ألـمـاسـي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
دكتورة نجلاء قالت
اول سؤال بيجي كريتيكال اببرييشياشون .........20 درقه ثاني سؤال 3 شورت نوتز الاول عن الباك قراون زي ماقالت (المسفيم)>>سوري عجزانه انقل. والثاني والثالث من التكست طبعن نحل منهم 2 بس.....عليه 20 درقه اخر سؤال بيجي شورت كويستشونز 6 ونختار منهم 5 ونحلههم....من 20 درجه هالكلام بالنقد وكويس بنات  شغل جميل
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2011- 1- 9
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#17 |
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أكـاديـمـي مـشـارك
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات انا مع ليلى باطوق ما جابت طاري دفينيشنز
مع انها حطت ملزمه بالكوبي سنتر وقالت بتحددلنا كمن شي فيه بس مرتين تجيب ملزمتها واحنا ما نجيب شي فما تكلمت عنهم مدري اسحب عليهم بما انها ما قالت شي .gif "(269)") ولا اقراهم لانها حطت الملزمه بالكوبي سنتر بس ماتوقع بتجيب شي ما قالته  ماذكر مره قالت هذا دفنشن كذا الا اذا انا مفهيه عاد  بسال ولي رجعه ان شاء الله 
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التعديل الأخير تم بواسطة عسولة الشرقية ; 2011- 1- 9 الساعة 07:00 PM |
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2011- 1- 9
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#18 |
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أكـاديـمـي مـشـارك
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بالنسبه للحضارة اغلبه الي
ويوم حاولنا انسحب منها كلام قالت المقالي اشوي يعني سؤال واحد افهموها وعددي بعد (بس ما يندرا عن هالكولج كل يوم لهم راي اخاف انها تقول كذا همن يجي الامتحان شكل ثاني) الفصل حق الزكاه مره مهم الاشياء الي فيها مقادير زي 20 مثقال وخمسميه ومدري كم غرام تحفظينها يعني تحفظين من الجهتين المثقال وكم يساويه بالغرام الفصل السابع مهم خاصه شروط الحسبه الي بصفحه 199 (هو بارجراف صغير لكن فيه 7 شروط) الاصناف الثمانيه مهمه الي بصفحه 174 وتوابعها <---- حلوة توابعها صفحه 203 الى 205 قراءه على قولتها والاختبار من 70 وبس هذا مافي جعبتي
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2011- 1- 9
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#19 | |
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أكـاديـمـي ذهـبـي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
 طيب وين احصل الجواب حقهم |
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2011- 1- 9
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#20 |
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أكـاديـمـي ذهـبـي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
والله يعطيكم العافية يارب على هالمجهود
وربي يوفقك يانقوش ان شاء الله لي عوده بكرهـ للموضوع << عليها اختبار قرامر  وبحط لكم توبيكات النثر لـ مها سلام طبعا قالت الاسئلة 4 احتمال 2 من جين اير و 2 من اوليفر او 3 من جين و 1 من اوليفر بس جوابهم مايتعدى النص صفحة والامتحان فية بارت لمها سلام وبارت خاص الى بنات لمياء 
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| الذين يشاهدون محتوى الموضوع الآن : 1 ( الأعضاء 0 والزوار 1) | |
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