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رد: النقد الأدبي , د فوزي
# Roman Jakobson #
According to Roman Jakobson and the Formalists, what is it that literature should reduce to a minimum?؟ The communicative function In poetry ,said Jakobson ,the communicative function should be: Reduced to minimum Who said: "The subject of literary scholarship is not literature in its totality but literariness (literaturnost'), i.e., that which makes of a given work a work of literature.” Roman Jackobson The subject of literary science, according to Roman Jackobson, "is not literature but... Literariness |
رد: النقد الأدبي , د فوزي
# Michel Foucault #
For Michel Foucault, the "author function" refers to A set of assumptions governing the production, circulation, consumption of texts. Who wrote "What is an Author" ? Michel Foucault According to Michel Foucault, the "author function"is A set of beliefs governing the production, circulation, classification and consumption of text |
رد: النقد الأدبي , د فوزي
اقتباس:
(The distinction between mimesis and diegesis was developed by (Plato a Greek philosopher لأن افلاطون من العصر اليوناني الجواب هو الثاني |
رد: النقد الأدبي , د فوزي
# Vladimir Propp # The study of Russian fairytales allowed Vladimir Propp to develop his theory of: The Morphology of the Folktale How many functions did Vladimir Propp establish in the Morphology of the Folktale, and how many types? functions 31 and 7 types In his study of fairytales ,Vladimir Propp established: Seven character types Vladimir Propp develops his 31 functions in order to apply them on: Folktales Vladimir Propp tested his theories on Russian fairytales. Vladimir Propp was a Russian Formalist who studies: Fairy Tales ***How many functions did Vladimir Propp establish for Thirty-one functions |
رد: النقد الأدبي , د فوزي
اقتباس:
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رد: النقد الأدبي , د فوزي
# Roland Barthes #
Barthes reminds the reader in this essay that the idea of the “author” is: A modern invention . Roland Barthes wants literary criticism not to focus on the author in order to discover The reader and writing Who wrote"The Death of the Author" ? Roland Barthes According to Roland Barthes, “ a text is not a line of words realizing a single theological meaning ( the message of the the Author –God ) but a multi-dimensional space in which a variety of writings , none of them original , blend Roland Barthes rejected the idea that literature and criticism should rely on A single self-determining author , in control of his meaning s |
رد: النقد الأدبي , د فوزي
كارل ماركس كثير عنه الاسئلة بالكويزات
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رد: النقد الأدبي , د فوزي
# Quintilian #
Quintilian's famous treatise on poetry and rhetoric is it... Institutio Oratoria . |
رد: النقد الأدبي , د فوزي
# Jan Mukarovsky #
Literariness,according to Jan Mukarovsky, consists in: The maximum of foregrounding of the utterance |
رد: النقد الأدبي , د فوزي
# Richard Mabark #
According to Richard Mabark ,European writers knew Greek works Only through the praise of (Roman) Latin authors |
رد: النقد الأدبي , د فوزي
Formalism
الشكلية Russian روسية the attempt to make the study of literature Scientific and objective تحاول لجعل دراسة الادب علمي وموضوعي The aim To establish literary scholarship as a distinct and autonomous field of study تهدف الى تأسيس المعرفة كمجال بارز ومستقل من الدراسة located literary meaning in The poem ان المعنى الادبي يقع في القصيدة make a distinction Between poetic language and ordinary language ميزوا بين اللغة الشعرية واللغة العادية Formalism School of criticism wanted to study literature From a scientific perspective المدرسة الشكلية للنقد ارادت دراسة الأدب من منظور علمي Formalist wanted literary critics to look for literary meaning in The literary itself ارادو من النقاد الادبيين ان يبحثوا عن المعنى الادبي في الادب نفسه defined " literariness "as" the maximum foregrounding of The utterance عرفوا الادبية بالحد الاقصى من متصدرات الاقوال The communicative function literature should reduce to a minimum يجب أن تقل الوظائف الادبية التواصلية إلى الحد الأدنى Defamiliarization oncepts was developed by Russian Formalists تم تطوير Defamiliarization من قبل الشكليون الروسييون rejected the distinction between Form and content رفضت التفريق بين الشكل والمضمون wanted to Develop a science of literature ارادوا ان يطوروا علم الأدب became in the 1960's the foundation for which school of literary criticism Structuralism اصبحت في عام 1960 اساس لمدرسة النقد الأدبي البنيوي Roman Jakobson رومان جاكوبسون من اهم نقاد الحركة التشكيلية الروسية |
رد: النقد الأدبي , د فوزي
اقتباس:
هذي تفتح |
رد: النقد الأدبي , د فوزي
18) People's consciousness, according to Karl Marx, is determined by:
A. Their material conditions B. Their religion C. The education they receive D. Their political affiliation معقول الاجابة A ؟؟ |
رد: النقد الأدبي , د فوزي
اقتباس:
بيض الله وجهك واصل جالسه اراجع معاك :d5::d5::d5::106: |
رد: النقد الأدبي , د فوزي
# Gerard Gennette #
Gerard Gennette Calls all irregularities in the time of narration: Anachronies The "time of the story," says Gerard Gennette, is the time in which: The story happens According to Gerard Gennette, "Narrative voice "and "narrative perspective" are two issues that traditional criticism Confuses under "Point of View(" The relationship between the time of the story and the time of the narrative, according to Gerard Gennette, is called: Narrative Order In Narrative Discourse, Gerard Gennette defines the "time of the story" as The time in which the story happens In Narrative Discourse, Gerard Gennette defines the "time of the narrative" as The time in which the story is being told Gerard Gennette calls "narrative order" The relationship between the time of the story and the time of the narrative An Analepsis, says Gerard Gennette, happens when The narrator recounts after the fact an event that took place earlier than the moment in which the narrative is stopped. The "time of the narrative," says Gerard Gennette, is the time in which The narrator tells the story According to Gerard Gennette, "Narrative voice "and "narrative perspective" are two issues that traditional criticism Confuses under "Point of View(" Focalization, Gerard Gennette says in The Narrative Discourse, should ... Who sees the action The question of "Voice," according to Gerard Gennette, is about: Who narrates the action ? How does Gerard Gennette define the"Time of the Story"? The time in which the story happens The "Time Zero", according to Gerard Gennette, is: The time in which the story is being told What are the two issues that Gerard Gennette says traditional criticism confuses under “ point of View “: Narrative voice and narrative perspective Gerard Gennette explains that traditional criticism confuses under “Point of View The question of “who sees?” and the question of “who speaks ? |
رد: النقد الأدبي , د فوزي
Death of the Author -----> Roland Barthes
رولاند بارثس ينادي من اجل موت الكاتب Republic ------> plato افلاطون مؤلف الجمهورية Aristotle -----> Poetics ارسطو حلل التراجيديا في كتابة الشعريات ( focalization, Who sees the action------ > (Gerard Gennette التركيز هو من يرى الحدث لجيرارد جانيت Classical Marxism -----> Karl Marx and Friedrich Engels الماركسية القديمة , كارل ماركس فريدريك انجلز |
رد: النقد الأدبي , د فوزي
# Greimas #
How many actants does Greimas's Actantial Model include? Six What kind of literature does Greimas' Actantial Model All literature An actant ,says Greimas, is An extrapolation of the syntactic structure of a narrative The Actantial Model is a program of literary analysis that was developed by: A.J. Greimas What discipline or school of criticism did A.J.Greimas belong to? Structuralism |
رد: النقد الأدبي , د فوزي
#? WHO #
Which ones of these authors wrote philosophical works? Plato and Aristotle Which ones of these authors wrote poetry؟? Horace and Virgil Which ones of these authors wrote rhetorical works ? Cicero and Quintilian Who said: “No past life has been lived to lend us glory, and that which has existed before us is not ours” Seneca Who said: “A man who follows another not only finds nothing; he is not even looking.”?" Seneca Who said: "And narration may either simple narration, or imitation, or a secured of th e two"? Plato Who made the distinction between Mimesis and Diegesis? Plato Which critic argues that there is no pre-discursive reality. that every reality is shaped and accessed by a discourse, and that “there is nothing outside of the text” Jacques Derrida Classical Marxism " refers to the work of: Karl Marx and Friedrich Engels Which critic or philosopher developed the idea that tragedy must have six parts? Aristotle Who said "Captive Greece took its wild conguer or conqtive". Horace which roman author compared the process of writing good plays and poems to the process that bees go through in the production of honey Seneca Who developed the Actantial Model? A.J. Greimas |
رد: النقد الأدبي , د فوزي
الحمد لله انتهى التجميع
يعطيك العافية one pice جزاك الله كل خير |
رد: النقد الأدبي , د فوزي
Structuralism البنوية
appeared in France in literature ظهرت في الادب الفرنسي seeks to Investigate the structures of literature تسعى لدراسة بناء الادب literary criticism develops the ambition to study literature from a Strictly scientific perspective مع البنيوية ينمي النقد الطموح لدراسة الادب من منظور علمي متشدد is interested primarily in Investigating the structures and conventions of the literary texts مهتمة بشكل اساسي بدراسة بناء واتفاقيات النصوص الادبية It continues the work of Russian Formalism انها تواصل عمل التشكيلية الروسية Roland Barthes, Tzvetan Todorov, Gerard Gennete, and A.j. Greimas. رولاند بارثس , تسفيتان تودوروف , جيرارد جانيت , اي جي غريماس هم من اهم الاشخاص فيها |
رد: النقد الأدبي , د فوزي
اقتباس:
جزاك الله خير |
رد: النقد الأدبي , د فوزي
Post-structiralists مابعد البنيوية
Logocentrism is an important concept that was developed by Post-structiralists مركزية اللغة مفهوم مهم تطور عن طريق نقاد مابعد البنيوية The prefix "post’ in Post structuralism means primarily that it is Critical of Structuralism البادئة في Post structuralism تعني في الاصل انتقاد البنيوية "there is no pre-discursive reality. Every reality is shaped and accessed by a discourse" school Post-Structuralism "ليس هنالك واقع للحوار فكل واقع يتشكل ويصل عبر الحوار " المدرسة المابعد البنيوية |
رد: النقد الأدبي , د فوزي
اقتباس:
طبعا مو موجودة نصا لكن عشان افلاطون يوناني فأكيد الااجابة اليونانيين |
رد: النقد الأدبي , د فوزي
فالكم التوفيق وان شاء الله اختبار سهل
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رد: النقد الأدبي , د فوزي
The distiction between mimes and digises
roman Greek? |
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